What was the last live performance you saw?
I used to attend live performances of all kinds several times each year. For two decades, I made it mandatory to participate in at least three live events each year. This was often costly and troublesome, but it also inspired me and enriched my life in ways invaluable to explain. The last event I attended was no exception.
Last year, Cameron Mackintosh’s acclaimed production of Boublil and Schönberg’s legendary musical, Les Misérables, graced the stage of the Connor Palace. The event took place at Playhouse Square in Cleveland, Ohio. The performance left me profoundly moved and utterly spellbound. The touring production ran from September 18 to September 22, 2024. I can attest that it was a magnificent theatrical experience. The performance was emotionally resonant.
Critics and theatergoers alike lauded the production for its powerful performances, stunning vocal talents, and evocative staging. The cast delivered compelling portrayals that captured the heart-wrenching depth of Victor Hugo’s epic novel. Nick Cartell, reprising his role as Jean Valjean, was frequently singled out for his powerful tenor voice. His performance was deeply emotional and nuanced. This was particularly evident in iconic songs like “Who Am I” and “Bring Him Home.” He was familiar with the character because he had played Valjean in previous tours, including a 2022 Cleveland run. His experience added layers of complexity to the portrayal.
Preston Truman Boyd as Inspector Javert provided a formidable and vocally impressive counterpart, delivering his shattering solos with commanding presence. The supporting cast also garnered significant praise. Haley Dortch as Fantine delivered a moving rendition of “I Dreamed a Dream.” Mya Rena Hunter commanded the stage as Eponine. She earned ovations for her raw and passionate “On My Own.” The Thénardiers, portrayed by Matt Crowle and Victoria Huston-Elem, offered delicious comedic relief with their lean and mean interpretation.
The production’s design elements were also a highlight. The staging seamlessly blended set pieces with atmospheric video projections. These projections were inspired by Victor Hugo’s own paintings. The result was a visually rich and cinematic backdrop. The lighting design by Paule Constable enhanced the dramatic impact of the show. Mick Potter’s immersive sound design added to this effect. Their work was particularly notable during the iconic barricade scenes. These scenes were described as visually captivating and emotionally charged. Will Curry’s musical direction ensured that the classic score soared, with both solo and choral work being described as outstanding.
Reviewers noted that this iteration of Les Misérables felt fresh and energized. It successfully conveyed the sweeping epic’s timeless themes of love, sacrifice, redemption, and the resilience of the human spirit. This production was often described as one of the best. Even those who had seen the musical multiple times were impressed. Some audience members called it “flawless” and “the best Les Mis I have ever seen.” The emotional power of the story resonated deeply. The exceptional talent on display contributed to this impact. These elements often resulted in immediate standing ovations.
The 2024 run of Les Misérables at Playhouse Square was a resounding success. It offered a theatrical event that was both a critical darling and a crowd-pleaser. This reminded me why this musical remains a beloved phenomenon worldwide.
R-Rated Religion 